The International Meetings of Theater Schools were born 8 years ago, from the meeting and the common desire of two directors and ac- tors, Serge and Piotr; the main idea was to propose a research work on the art and technique of the actor in the theater. A common desire to hear dif- ferent languages on stage and to confront different working methods. The idea was also to extend this meeting not to a weekend but over a real period of 10 days, in immersion, far from the city, in the middle of nature.
We wanted to offer a meeting workshop be- tween young students who almost never, during their educational career, have the opportunity to meet other young people, near or distant neigh- bors, their counterparts. Today, despite pandemics, wars, crises and globalization, we offer students the opportunity to come and discover another way of practicing theatre, in harmony with nature, in the middle of the Corsica Regional Natural Park.
The School Meetings have already attracted international students from all continents.
We hope to receive some of your stu- dents again this year. They will come back, we hope, with a strong lived experience that will be part of their journey and which the inhabi- tants of our villages will also have been able to enjoy and share.

« Jouer, Chercher, Inclure », autour de Comme si nous… de Simon Grangeat
Co-construit par Marie Astier et Claire de Saint Martin, ce stage de formation théâtrale est accompagné d’un processus de recherche universitaire.

Les stagiaires seront actifs et actives :
– dans le processus de formation théâtrale puisqu’ils seront incités à être sources de proposition pour construire collectivement un objet théâtral singulier à partir de l’œuvre proposée au départ (Comme si nous… de Simon Grangeat).
– dans le processus de recherche sur l’inclusion puisqu’ils participeront à des temps de réflexion collective et à des entretiens individuels pour produire des connaissances sur la situation inclusive mise en place et sur le rapport entre création théâtrale et inclusion.
Les participant·e·s ne seront donc pas objets mais sujets d’une recherche à la fois théâtrale et scientifique, ils en seront les véritables acteurs et actrices, auteurs et autrices.

Jeu masqué, improvisation, avec des masques balinais et de Commedia dell ´Arte. Travail corporel, d’imagination et d’articulation.

Atelier d’écriture théâtrale, sur le thème de l’enfance.